Beth Alvarez - Author of Epic Fantasy
  • Born of the Moon is now available!

    Born of the Moon is now available!

    After a long and bumpy road, it’s finally here — Born of the Moon, the second book in the After Undeath series!

    born-of-the-moon-sm.jpgI’m so excited to finally share this one with you, even though it ended up very different from the story I originally had in mind. I wouldn’t have come this far without the support of all the lovely readers who reached out to me after Death of the Sun was released, so to all of you: Thank you! I hope you will enjoy this second installment in the series.

    You can currently pick up an e-book copy on Amazon.

    Or if you’re looking for a paperback, it’s available through both Amazon and Barnes and Noble.

    And just in case you missed the blurb when the release date was announced, here it is:

    Life after death isn’t all it’s cracked up to be.

    It’s been six years since Blaine Moreau returned to the world of the living, keeping only his fangs as a souvenir. Though he didn’t expect the transition to be easy, a heartbeat comes with health problems, a sea of red tape, and the shine of new silver developing at his temples. Dealing with insurance claims and explaining away a shady employment history is enough without the added grief of being unable to satisfy his wife’s dreams of having a family.

    Never mind old problems coming back to haunt him.

    Without their vampire god to lead them, the clan is subject to a slow extinction, one Grace isn’t willing to accept. Clinging to her memories of their time together, she seeks Blaine, the only one who can help her have the life she wants.

    But he’s not so eager to help. With everything else in shambles, the last thing he needs is undead on his doorstep.

    Especially when one has a simple suggestion that could solve all his problems–or destroy everything he’s worked to build.

    Happy reading!

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  • What dogs do best

    What dogs do best

    Thaddeus grunted as the light came on, pulling his jacket back up his to his shoulders before he’d even taken it all the way off. He’d expected he would have time to sort the work he’d accomplished this week, finally sending the pile of folders off to be filed.

    Instead, a new pile of folders waited in his office inbox.

    His was an unusual existence, namely in that he did not exist outside his line of work. His office door was one of only two places one could find his name. The other was in a document entailing his family’s genealogy, sparing only one line: Thaddeus Birch, deceased.

    He had a life of his own, of course; he enjoyed opera and a fine cup of tea, so long as it was brewed in a cast iron kettle. The flavor was unpalatable otherwise. He kept a kettle in his office as well as his home, which was a stately old place he shared with a much younger Keeper. Not out of necessity, of course, but the boy was a new addition and not yet used to their order’s rules and customs. Despite sharing lodgings, the two of them rarely crossed paths. The boy worked in a different office, and Thaddeus… Well. He rarely stopped working at all.

    Scooping a folder from the top of the stack, he flipped it open and stood behind his desk. There was little reason to sit, since he’d be out the door again in a moment.

    Every folder was the same, in a way. Someone had a problem, one they couldn’t resolve on their own. While it pained him to think of it in such simplistic terms, solving problems was–in essence–a Keeper’s job. The nature of those problems varied, of course, and not all of them warranted a Keeper’s attention. But those requests were screened, and the half-dozen new problems in his inbox had been approved for intervention. And judging from the folder in his hand, he’d have no time for tea tonight.

    “Have someone prepare a car for me,” Thaddeus called as he took a slip of paper from the folder, tucking it into the pocket inside his suit jacket before putting the folder on his desk. “And fetch my hounds.”

    Their order worked with simple efficiency, and Thaddeus smiled to himself when he reached the garage to find both his requests fulfilled, a valet standing beside the unremarkable black car, leashes in hand.

    “Hello, pups,” Thaddeus said. Both blue shepherds stood, tails wagging. Most dogs disliked the undead, but any animal could be trained to overcome such shortcomings with the proper care. As far as he knew, among vampires, Thaddeus was the only one who kept such well-trained canines.

    “Going for a jaunt, sir?” the valet asked as he opened a door and ushered the dogs into the back seat. The two hounds bounded into the car without hesitation, tongues lolling.

    “Going back to work,” Thaddeus said. “The problem with being efficient is that there is always more work.”

    The valet nodded. “Simple task?”

    “Simple enough.” Thaddeus took the keys from the lad, pausing to note how young he was. Unlike most, Thaddeus had turned at a senior age, doomed to be gnarled and gray forever. Some nights, he felt it more than others. “A fellow in Saint Louis needs someone to disappear.”

    “Ah,” the valet nodded again. He opened the car door and stepped back, glancing to the back seat. “And the dogs?”

    Licking his fangs, Thaddeus gave him a toothy smile as he settled into the front seat. “My boy, making people disappear is what the dogs do best.”


    This week’s prompt was “Committing a crime.”
    The lovely Megan Cutler already tackled this one, and you can see her response here.

  • Born of the Moon sample chapters, PLUS pre-orders now available!

    Born of the Moon sample chapters, PLUS pre-orders now available!

    Surprise! It’s a Wednesday bonus update!

    born-of-the-moon-tnThere’s a special occasion for it, too: Born of the Moon now has a handful of sample chapters available here on Ithilear, which you can read by checking out the sample chapters link in the After Undeath series category to the left, or by clicking here.

    And in case those chapters get you excited for the second book, guess what?

    Born of the Moon is available for pre-order on both Amazon.com and Smashwords!

    You can pre-order a Kindle copy from Amazon by clicking here.

    Unfortunately, if you’re a Nook reader like I am, Barnes and Noble doesn’t do e-book pre-orders just yet, but the book will be live and ready to go on December 1st.

    Hope to see you all on release day!

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  • Persimmon Tree Tea’s Citrus Green Decaf

    Persimmon Tree Tea’s Citrus Green Decaf

    Decaf tea seemed like a good idea when I ordered it. After it got here, I stared at the packet and wondered what I was thinking. I mean yeah, tea is delicious on its own, but one of the best benefits for me–a tired mom–is the little kick of caffeine that helps me get through the day. So why on earth would I order decaf?

    Well, because it looked good, I guess.

    citrus-green

    It’s an attractive blend, to be sure, and the packet I received had lots of lovely whole leaves that had a wonderful fragrance. A few little pieces of fruit blended in adds a wonderfully sweet citrus aroma.

    When it comes to taste, though, I was a little underwhelmed. The citrus flavor isn’t strong enough to be interesting, but it’s just enough to overpower the green tea. And the tea isn’t as flavorful as the pomegranate green mix I love so much; it’s a much grassier sort, with a hint of earthy wood flavor.  The problem is that without a strongly defined citrus flavor or a strongly defined tea flavor, there’s nothing to make this tea blend stand out.

    In the future, I’d pass on this one.

  • Obsession

    Obsession

    There had to be a key, she simply hadn’t found it yet. Twisting a curl of her black hair, the mage girl mumbled to herself as she paged back through her book. That was the way with everything; no matter how complicated a knot, as long as you kept picking at it, it would eventually give way.

    Envesi didn’t recall how long she’d been studying. It was her uncle’s notes that had first intrigued her, drawing her into this field of study. His peers thought him odd, but they’d never spent as much time working with him as she had. At first, her position as Tanvar’s apprentice had only been to keep her out of trouble. It wasn’t that she’d been in trouble, precisely, but that was just the sort of people her parents were.

    Had it not been for her uncle’s superior strength in magic, she might have thought herself an oddity. Neither of her parents made particularly powerful mages, and as far as she knew, none of her younger siblings had yet manifested any sort of Gift. Her family preferred politics to sorcery, as they called it. But they recognized the value in having mages in the family, and so had indulged her desire to learn, placing her beneath Tanvar’s tutelage.

    It was then that she’d become acquainted with his work.

    It was a fascinating notion, the idea someone could loosen the ties of magic. Anyone who knew anything about magecraft knew that an affinity to a particular type of power was permanent; only her uncle had thought to challenge the idea.

    Magic was a river, they said. Once it cut its path, it was impossible to change the flow. This was how the bonds of affinity worked, limiting the path one’s power could take, the same way a river was limited by its banks.

    Tanvar thought it worked differently. Rather than a river, the forces of magic were but droplets on a windowpane, tracing a path downward. As it traveled, it gained momentum, drawing in the droplets around it. But, like a rivulet streaming down the window, enough force could change its direction.

    Of course, there was little reason to try. Even if Tanvar’s suspicion proved correct, shifting the direction of one’s magic would only push them into a different affinity, and what difference did that make? Perhaps with enough practice, a mage could learn to shift affinities on demand, but there had to be a better solution.

    If there weren’t, there wouldn’t still be free mages.

    “Still here, little blossom?” Tanvar chuckled as he stepped into the room.

    “Yes, uncle.” Sometimes Envesi forgot that her study space was his office; she spent more time there than he did.

    He turned down one of the lamps, making the office just dim enough that she couldn’t keep reading. “You know you ought to be sleeping. Your parents will be here early in the morning, and they have important news.”

    Envesi tried not to groan. “I already know what they’re going to say, and I don’t care.”

    “You’re nearly twenty pents, blossom. You should be happy to marry.”

    “And at nearly twenty pents, I’m one of the youngest women to ever wear Master white,” she replied, mindful not to be curt. Tanvar was kind to her; it wouldn’t do to snap at him for something that wasn’t his fault. “I have no intention of being married off.”

    “And what do you intend, child?” her uncle asked, raising a brow.

    To determine what truly limited power. To discover how to manipulate it. It was not a knot that tied their magic to one element, but a tapestry of something, woven and thrown over their Gift to leave only a narrow channel exposed. To understand the limitations her uncle hadn’t yet determined. To find the woven powers that held them, and determine how to pull them apart. To find the tapestry’s edge and rend it.

    Only then could she understand the true nature of magic, understand the power that flowed in her veins as surely as her blood.

    Only then could she harness it all.

    She licked her lips. “To expand on your research, Uncle. That’s all.”

    And all she could now imagine.


    This week’s prompt was “Obsession.”

    The lovely Megan Cutler covered this prompt back in September!

  • Alchemy

    Alchemy

    When I was a child, I had a fascination with potions. I don’t know if it stemmed from my reading habits, video games, or something else, but as far back as I can remember, I was always mixing something.

    I developed a love for tiny bottles, test tubes, apothecary jars, anything that looked like a fictional witch might have it hidden in her lair for mixing concoctions. I also went through phases of fancying myself to be one of those witches, hovering over a cauldron, mixing up some sort of brew. But like Glinda, I was going to be a good witch. More like a fairy, really; just maybe with a gauzy black dress instead of pink.

    I spent a lot of time gathering ingredients for my potions. I dug up roots and picked odd looking plants, plucked petals off of flowers and sorted everything meticulously. I dried things out, pretending they were herbs for my potions, and practiced grinding herbs into pastes and seeds into powders, using two particularly nice rocks. I made my own dyes and inks from things I found in the yard and stored them in all sorts of nooks and crannies, under the back porch or in the crook of a tree. Mostly I just stained my fingers, but I occasionally tried to use feathers found in the yard to make tiny quill pens. The only one that ever worked came from a vulture.

    Mortar and pestleSome aspects of this interest stayed with me, manifesting in the form of my collection of odd bottles and jars, my beautiful marble mortar and pestle, and the home-grown herbs drying in my kitchen. But as I grew up, I learned to attach another word to this interest: Alchemy.

    Despite its connections to modern chemistry, I was never interested in plain old chemistry, taught in every school. I was interested in something older, something that helped lead us to understanding chemistry in the first place, something that helped us find medicines. And despite my interest, I’ve never devoted much time to actually studying alchemy.

    I’ve been reading a little the past few weeks, never in-depth studies, but casual browsing while I wait for ideas to pull themselves together in my head. If you’ve been keeping up with my flash fiction Fridays, you’ve probably noticed that one of the characters appearing in the short stories is an alchemist. She’s the reason I’m finally looking into alchemical things more seriously; her and the book she will be in.

    Superstition attaches the name “alchemy” to a bad reputation, something perceived as fantasy or plain old flim-flam. Part of it comes from old beliefs about what alchemy was and what it could do, but a larger part comes from that “chemistry” and “alchemy” were declared separate things, with chemistry taking everything useful to its name, leaving only falsehoods to its mother.

    Being that the book I’m writing is a fantasy tale, I can attach alchemy to something else, coloring its results with shades of magic. It’s not a new idea, but it’s still fun to explore, and studying the history of alchemy in our world is certainly an interesting trip. I don’t know yet where this story is going to take place; magical alchemy might not fit into Ithilear any better than it fits here.

    But that’s part of the journey, and part of the fun of being a writer is creating something that indulges that small part of my inner child, quietly working the idea over between two grindstones in the corner of my mind.

  • How They Relate to Their Race

    How They Relate to Their Race

    Demons.

    It was a foolish name for them, though he understood why humans called them that. He didn’t doubt that the sirens singing their lonely songs among the rocks earned themselves the same label. Humans didn’t always understand things that were different, and they couldn’t relate to his people. Not that he would correct them; his kind had no name for themselves. And the longer he was out of the sea, the more he thought the label might fit.

    The ocean lapped at his bare feet, beckoning him, calling him home. The gills on the sides of his neck had been dry so long they barely showed, folded closed, leaving little more than shadowed lines on his cyan skin. He longed for the water, for the tropical currents and blessed warmth of aquatic vents. He’d been on land too long to venture into cooler waters, his layer of insulating fat dwindled to nothing.

    It was just one of many trade-offs he’d needed to survive.

    Foam clung to his toes, whispering promises of freedom in the sea. He ignored it; there was nothing for him there. Not now. He’d not regained his strength, nor had he grown used to the itching of the leather patch where his left eye used to be. He’d told his host little of his life before, only that he’d been betrayed. The man praised him for waiting to exact revenge, muttering one of those odd human sayings about cold food. But years flowed differently for those with magic, and Elulyan did not wait.

    He cloaked himself in magic during the day, hiding his brilliantly blue flesh and one crimson eye, but he did not wait. He was weakened without the power of his Overseer to feed upon, but he was coming into his own power; in time, it would be enough.

    But he did not wait.

    He worked, growing stronger, making allies, making plans. He studied, scouring the Great Coast for every sliver of information that could bring his Overseer to ruin. And every night, he stood at the sea, watching the waves and burning with resentment for the tight scars that lined his fingers, where the Overseer had cut away the webbing that let him swim.

    The sound of the ocean shifted now, the song of the waves becoming mockery. Clenching his fists, Elulyan turned away from the surf, shutting out the sweet melody of the sirens that still drifted to the shore.

    In time, he would be well.

    And then he’d teach his people what the name demon meant.


    This week’s prompt was “How They Relate to Their Race.”

    The lovely Megan Cutler addressed this prompt back in September. Check it out!

  • Editing is hard, but it does get easier

    Editing is hard, but it does get easier

    Regardless of the genre they write or how long they’ve been at it, all the writers I’ve met have something in common. At one point or another, they’ve all told me that they hate editing.

    I used to share the sentiment, a long time ago. Now I don’t see what the fuss is about. In fact, I much prefer editing to the actual writing part. I hate writing itself, struggling to get the words out in a way that makes at least enough sense that I can whip it into shape later. The editing process is much easier for me; it’s not difficult for me to edit 10 pages in an evening without straining myself or getting tired. For me, the hardest part is over. I’ve filled the sandbox, now I get to play in it.

    But it wasn’t always that way.

    Editing can be hard, but like everything else in life, it’s something that gets easier with practice. Aside from just practice, though, there are two important things that have to happen to improve your editing and make your writing what it really needs to be. Number one: You have to get feedback from other people. And number two: You have to grow a thicker skin.

    There’s nothing like the first time you get a manuscript back from a friend or colleague, only to find your hours of work red-penned into oblivion.  If you’re anything like me, you’ve probably had it happen and cried when it did.  And that’s understandable; this is your ambition, probably your greatest life’s work up until this point. It hurts to see your efforts hacked to pieces and bleeding that red ink all over the page, but it gets better. In more ways than one.

    It might feel like a blow to your ego, but they don’t mean it personally. They most likely don’t mean to hurt your feelings, and if your friends are the ones doing the beta reading for you, they say what they do only because they want to help you make your work the best it can be.  One of the first times I sent manuscript to a friend for proofreading, the chapter that was hit the hardest was one of my favorite chapters out of the entire book. I had been proud of it until then, and when she was done with it, there was barely a sentence that had escaped unscathed.  At first I was upset, and I was offended. I thought she didn’t understand what I was trying to do, or maybe didn’t appreciate everything I put into that chapter. Fuming, I put her notes aside for a few weeks, too annoyed to even look at them.  But when I picked them up again after cooling off, I discovered that everything she said had merit, and I had a lot of rewriting to do.

    I’ve written a handful of books since then. Now when I open reader notes to find a sea of red, I hardly bat an eye. I don’t growl or puff my cheeks when someone picks my words to pieces, and I don’t take time to walk away, either. I don’t need to, because seeing I’ve made mistakes doesn’t hurt any more. It’s just part of the process, but it’s growth that wouldn’t have come about if I hadn’t started having peers review my work.

    But this isn’t just about the benefit of having a thicker hide. There’s a greater benefit that comes from having others read your work and help you edit, and it’s that you learn your shortcomings and biggest weaknesses.  As you become familiar with where you struggle most, as you spend time editing those mistakes out of existence, you stop making them. Each manuscript I’ve written has been cleaner than the last, needing less and less editing, and coming back from readers with fewer markings on the page.  Sometimes there won’t even be a comment for several pages! This wouldn’t have happened without the feedback that helped me develop my editorial skills,  and definitely wouldn’t have happened if I hadn’t been open minded to their suggestions and my need to rewrite things I loved.

    This is why more experienced writers tell you to “kill your darlings,”  and why that continues to be one of the most prevalent pieces of writing advice.  Unfortunately, only experience will show you they’re right.  Years from now you’ll look back and realize people have been telling you that for years, but you never understood what they meant until that moment. It’s a rite of passage for all writers, and another lesson that always has to be learned the hard way. That’s why I just say this: Keep editing. It gets easier.

    Eventually.

  • Mixtures

    Mixtures

    Sometimes, no matter how many precautions she took, things went wrong.

    They were not the explosive accidents of her novice days, but they were mistakes, nonetheless. Improper measurements happened, sometimes from a fuzzy head after a late night. Delicate mixtures bubbled over when her back was turned for only a second. Reagents scorched when the burner’s flame was set just a little too high. Accidents were part of experimentation, and experimentation was the heart of progress.

    It was benevolence that made Laele first pursue alchemy. Medics and true healers were sometimes few and far between, rarely able to travel, rarely able to attend people in isolated villages. It was one of many situations where her potions and elixirs could be of help. They would last for months on a cool cellar shelf, kept handy for the inevitable night when a child’s fever wouldn’t break and there were no medics to be found.

    It was determination, however, that kept her struggling on through trial and error, mistake after mistake, and more failed mixtures than she could recall.

    Months had been spent on this particular concoction. A fortune spent on herbs and distilled essences, too. She could have made them herself, but that took time, and every minute spent making her own reagents was minutes spent away from the troublesome brew she simply couldn’t conquer.

    Colorful herbs stained her fingertips and her collection of mortars, each of the bowls a different color, a streak of yellow from a crushed flower marking her forehead from where she’d absently wiped away the sweat of concentration. From the moment she sat down, she’d known it would be a goal-changing night. Either she accomplished what she’d set out to do, creating one of the most powerful anti-toxins ever designed, or she’d know once and for all which of the herbs was to blame for the foul sludge she’d poured out every night for ages.

    One by one, she’d tested them. Each and every one. Leaves, stems, roots, fruit and blossom all had to be tested individually; each part of the plant contained its own unique properties. And one after another, she’d found everything stable, performing exactly what she’d hoped for. Up until the last one.

    Was it the shoot’s leaves or the stem she needed for that potion?

    Was it the leaves or stem that had reacted badly with the mixture?

    Her fingers wriggled above the reagents laid out on the counter. One or the other, she just had to take a chance. No matter what she picked, she’d have her answer, a long-plaguing problem finally solved.

    She jammed the last ingredient into the glass beaker and scooped up the narrow tube of blue fluid, sucking in a deep breath before she poured it in and put it all together.

    Plumes of color spread from the paste of herbs and powders in the bottom of the beaker, darkening as they expanded to fill the glass. She exhaled, beaming.

    It exploded.


     

    This week’s prompt was “A memory linked to their occupation/profession.” As usual, my companions are far ahead of me! You can read the lovely Megan Cutler’s take on this prompt at her blog.

  • Simplifications of time: Creating a calendar for Ithilear

    Simplifications of time: Creating a calendar for Ithilear

    A friend on Facebook recently asked for opinions while doing world building for her story, which set me off in an interesting direction. Her question was how she should determine a calendar for her world. My suggestion was that she didn’t bother.

    ClockSome worlds greatly benefit from having a calendar shaped to their usage of time, but for many, it doesn’t seem to make any difference. Custom calendars appear to be more prevalent in sci-fi, and for good reason; most space explorers we read about originate here on Earth, making it important for us to distinguish the differences in how time is handled on other planets.

    While I’ve read quite a few fantasy stories that create their own calendar, it ultimately has little impact on how the story plays out. The main reason for this seems to be that we default our understanding of weeks, months and years to what we practice in our own lives. It’s a system that’s arbitrary and complex, complete with half days, extra seconds, leap years, and lots of mathematics. But because we’re familiar with it, it’s easy to understand. So regardless of whether or not Robert Jordan took the time to add a tidbit about the Wheel of Time’s world featuring ten-day weeks to the appendices, it doesn’t do a thing to change how the story plays out. And because it’s never mentioned in the body of any book’s text, every time a character mentions a week, what do we think of?

    Seven days.

    At the same time, authors like Tolkien have often been criticized for using Earth’s calendar for their books. So what’s a writer supposed to do? I suppose the answer is simple: Do whatever makes you happy.

    The main reason I recommended that my friend not create a custom calendar was because of her story’s ties to Earth, and that the people within the story will hear mention of Earth’s methods of time keeping, but never be told how long a week is supposed to be. This could, of course, go either way; the characters in the story will default to assuming a week on Earth is the same length as their week. But unless their concept of time is clearly mentioned and emphasized as being different, readers will default to assuming time is measured the same way there as it is here.

    For me, though, there’s not much excuse, aside from that I’d never actually considered it.

    There’s a lot of thought that has to go into creation of a world’s calendar, things that may not initially cross your mind. To an outsider, our methods of defining a day probably makes sense. And a year is defined by the number of days in our planet’s orbit of the sun, which also makes sense. But 52.14 weeks is a little odd, and then the way we sort our months–February with 28 (or sometimes 29) days, July and August back-to-back with 31, throwing off the rhythm of alternating numbers of days–would be very peculiar to an extraterrestrial visitor.

    But you also can’t stray too far from Earth’s calculations without incurring some serious math and study. Some people might be interested in working out the speed of planet rotation and orbit, coupled with the size of their planet and the planet’s sun to determine that sun’s “Goldilocks zone.” Then comes considering how a faster or slower orbit would affect things like gravity, plant life, weather and seasons.

    I’m not. So when I started working out a calendar for Ithilear, I decided to base a lot of planetary information off our home world.

    Their founding race is smitten with order, so I figured it only made sense for their year to align itself for neat division. This division works as one of the founding reasons for their fondness of organization, and the simplification of time measurements makes it easier for both me and my readers. So Ithilear ends up with 7 days in a week, 28 days in a month, and 13 months in a year, giving me a total of 364 days per year. It’s scientifically unrealistic, but since I’ve also got people throwing fireballs out of their fingertips and tearing holes in reality to traverse the globe in a step, I’m not too concerned with the realism of it.

    After working out all sorts of calendar information, I considered reworking the number of hours in an Ithilean day, but ultimately discarded the idea. The number of hours in a day never really comes up within the books, and it doesn’t ultimately make a difference in the flow of the story, so that’s one that I’m not going to touch. I’ll just leave it open to interpretation, because sometimes simplification is best.

    In any event, the calendar information for Ithilear is now available for perusal by either checking the link to the left (Located under the “Serpent’s Tears” category) or by clicking here.

    Happy reading!